Kurt Erickson
About Calendar Works Press Media Contact
Collaborative Commissions
Here, Bullet Seventeen Minutes and Twenty-Two Seconds Blog:The Reluctant Witness
About Projects Here, Bullet Seventeen Minutes and Twenty-Two Seconds Blog:The Reluctant Witness CalendarWorksPressMediaContact
Kurt Erickson
Collaborative Commissions

The Reluctant Witness

An introvert who views art and art making as intensely personal, yet somehow entered into a highly public career path. I share out of a sense of professional obligation and to better understand just what it is I do.

Relationships or Bust
Relationships or Bust
Kurt EricksonSeptember 8, 2023
Orpheus, San Francisco Opera, and Countertenors
Orpheus, San Francisco Opera, and Countertenors
Kurt EricksonNovember 16, 2022
"How the hell did you do that?!?"
"How the hell did you do that?!?"
Kurt EricksonNovember 4, 2022Seventeen Minutes
Trilloquy podcast: Here, Bullet
Trilloquy podcast: Here, Bullet
Beth BeauchampJuly 20, 2022
Ingram Marshall, a remembrance
Ingram Marshall, a remembrance
Kurt EricksonJune 5, 2022
You Don't Need to Write Another Grant
You Don't Need to Write Another Grant
Kurt EricksonApril 19, 2022Seventeen Minutes
The Airplane Sonata, and other New Music Gateway Drugs
The Airplane Sonata, and other New Music Gateway Drugs
Kurt EricksonApril 12, 2022Seventeen Minutes
When I Was Your Age...
When I Was Your Age...
Kurt EricksonApril 6, 2022
The Grand Experiment (or: How it Started, How it’s Going)
The Grand Experiment (or: How it Started, How it’s Going)
Kurt EricksonMarch 22, 2022
You Can't Practice What's Not Yet Written
You Can't Practice What's Not Yet Written
Kurt EricksonMarch 14, 2022
Morning Creativity
Morning Creativity
Kurt EricksonMarch 7, 2022
That’s me in the garage.
That’s me in the garage.
Beth BeauchampFebruary 4, 2022Seventeen Minutes

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